	Japan BIZEN WARE Dates: 794-1185 Bizen is one of the main pottery making centres in Japan, dating back to the Heian period (794-1185). Its ware was originally heavier and rougher than some other potteries and was intended for everday use. In the 15th and 16th centuries its rustic undecorated qualities were appreciated by the tea fraternity when many tea bowls were made. The production continues into the twenty-first century. Nine nationally recognised Master Craftsmen and makers such as Yamamoto Toshu (1926-1989) have been recognised as Living National Treasures.The colour of Bizen ware is expressive of the earth from which it comes. It is valued for keeping water fresh and preserving the fine taste of sake. Accidents which can happen during firing mean that no two pieces are the same. Janet Leach, working at St Ives in 1950-1960, made thrown pots that were greatly influenced by the spontaneity and process of making and firing Bizen ware. The works in the Aberystywth collection were acquired during the 1920s and represent a particular late 19th century style of figurative pieces often of popular mythological and folk traditions. A number of the forms also imitate bronze figurines and vessels. They were widely exported to the West in the early 20th century.

c787 - Figure of Japanese Warrior Bishamonten

c800 - Figure of the Japanese God Chokaro

c795 - Figure of the Japanese God Fukurokuju

c789 - Figure of the Japanese god Fukurokuju

Japan BIZEN WARE

Dates: 794-1185

Bizen is one of the main pottery making centres in Japan, dating back to the Heian period (794-1185). Its ware was originally heavier and rougher than some other potteries and was intended for everday use. In the
15th and 16th centuries its rustic undecorated qualities were appreciated by the tea fraternity when many tea bowls were made. The production continues into the twenty-first century. Nine nationally recognised Master Craftsmen and makers such as Yamamoto Toshu (1926-1989) have been recognised as Living National Treasures.The colour of Bizen ware is expressive of the earth from which it comes. It is valued for keeping water fresh and preserving the fine taste of sake. Accidents which can happen during firing mean that no two pieces are the same. Janet Leach, working at St Ives in 1950-1960, made thrown pots that were greatly influenced by the spontaneity and process of making and firing Bizen ware. The works in the Aberystywth collection were acquired during the 1920s and represent a particular late 19th century style of figurative pieces often of popular mythological and folk traditions. A number of the forms also imitate bronze figurines and vessels. They were widely exported to the West in the early 20th century.