Back|Home|A-Z Makers & Countries|Ceramic Glossary|Contact|Links|Share This Site

Figures

In general the figurine was a much despised form within the studio pottery movement because of its associations with over-refined and aristocratic taste or mass production.

Phoebe Stabler - click for larger image






However women, who were never easily able to train as sculptors, often delighted in ceramic modelling.

Gillian Still

During the 1920s there was a brief moment when figurative ceramics were popular but it was not until the mid 1980s that there was a significant return to figuration. Women have been particularly successful in this genre.

Anna Noel - click for larger image

Introduction | Kabylie, Algeria | Cyprus | Collecting | Early Studio Pottery | Studio Pottery After 1950 | Reclaiming Traditional Women's Techniques | Figures | Decorating | Royal College of Art | Women as Promoters | Biographies

aSplash web design and e-commerce Wales UK